Wednesday, December 21, 2011

Hands-on review: Kodak EasyShare Mini digital camera

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Summary: Kodak brought a handful of new compact digital cameras to CES 2011, and one of the tiniest of them all was the EasyShare Mini. Here’s the hands-on review.

Kodak brought a handful of new compact digital cameras to CES 2011, and one of the tiniest of them all was the EasyShare Mini. Here’s the hands-on review.

SET-UP

Setting up the EasyShare Mini is rather simple and much like any other basic point-and-shoot camera. As soon as the battery has been fully charged and you turn the device on, the menu appears for the basic settings to be configured: date, time, etc.

One inconvenience I noticed right away is that I couldn’t start taking photos immediately because there isn’t an SD card included in the box. Frustrating, but it is mentioned on the outside of the box so it shouldn’t be too much of a surprise.

After I installed my own SDHC card, it was time to get started taking photos and playing with all the preset functions available.

Rachel King is a staff writer for ZDNet based in San Francisco.


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Nikon may introduce an interchangeable lens compact camera by end of year

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Summary: A report in Japan’s top business daily indicates that Nikon will introduce an ILC by end of year for around $1,000.

Though there have long been rumors that Nikon will be joining the likes of Olympus, Panasonic, Pentax, Sony, and Samsung and introducing an interchangeable lens compact (ILC) camera (some even going back a couple of years), things have been heating up of late. After Bloomberg published an article on Wednesday discussing how Canon and Nikon are losing digital camera market share due to their lack of ILC cameras, Reuters picked up a report from Japan’s Nikkei Business Daily yesterday that not only confirms that Nikon is planning to introduce an ILC before the end of the year, but also that the price will be between 70,000 to 100,000 yen (i.e., $900 to $1,300), including a kit lens. That will position Nikon’s anticipated ILC competitively with such cameras as the $900 Olympus PEN E-P3 and the recently announced Sony Alpha NEX-7, which will ship in November for $1,350. Reuters followed up with an update today indicating that Nikon’s stock was up for the third straight day because of the Nikkei report. Let’s keep our fingers crossed for a September 21st announcement!

[Via Reuters]

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Tuesday, December 20, 2011

Canon PowerShot S100: Successor to popular S95 adds GPS, 5x zoom

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Summary: Canon announces the new PowerShot S100, updating its popular S95 high-end compact with a longer and wider zoom lens, GPS, and 1080p video.

Canon is making waves today with the announcement of the new PowerShot S100, a successor to its wildly popular S90 and S95 high-end compact cameras. Though the super-compact body design hasn’t changed significantly (save for the addition of a small grip and a new silver color option), the new S100 is really a complete overhaul internally — a good thing considering the competition has gotten fiercer since the S95 was released in August of last year, with the addition of cameras like the Olympus XZ-1 and the recently announced Fujifilm FinePix X10 and Nikon Coolpix P7100.

The biggest difference between the S95 and S100 is a whole new imaging system: In addition to the faster new processor and a completely new sensor, the S100 sports a wider and longer 5x zoom lens — a 24-120mm equivalent, f/2.0-5.9 beauty (vs. the S95’s 28-105mm, f/2.0-4.9 3.8x lens). It’s still nice and bright on the wide angle, but as with the S95, the telephoto is limited to fairly narrow maximum aperture because of the camera’s compact size. Canon has upped the resolution to 12-megapixels while maintaining a 1/1.7-inch sensor size, but also opted for a high-sensitivity (read backside illuminated) CMOS sensor rather than a CCD, which may mitigate a resulting drop in low-light image quality.

The other major addition to the S100 is a built-in GPS receiver to enable automatic geotagging and location logging for photos and videos. The bundled Map Utility software lets you map a route of your photo locations using Google Maps and create customized maps that you can share.

Other big changes from the S95 include:

Full 1080p HD video recording at 24fps (720p at 30fps)5x optical zoom while shooting videoDedicated video record button240fps high-speed video capture in Super Slow Motion Movie scene modeElectronic wind filter for improved sound recordingBroader sensitivity range of ISO 80-6400Faster continuous shooting at 2.3fps (or 8 frames at 9.6fps in High-Speed Burst HQ scene mode)

The other less-welcome change is a bump in list price from the S95’s $399.99 price tag to $429.99. The new model will hit store shelves in November.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Panasonic Lumix DMC-3D1 dual-lens 3D shooter to sell for $500

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Summary: Previewed at the IFA 2011 show in Germany in September, the Panasonic Lumix DMC-3D1 is a new 3D-capable compact point-and-shoot camera available just in time for the holidays.

By most accounts, the economy is still in the doldrums, but camera manufacturers seem to think some of us have money to burn, coming out with niche-market point-and-shooters with high-end price tags just in time for the holiday season. First there was the admittedly cool but pricey Lytro Light Field Camera (starting at about $400), and now Panasonic seems to think folks will be willing to plunk down $500 for the ability to snapshoot in 3D.

The new Panasonic Lumix DMC-3D1, first announced at IFA 2011, follows in the footsteps of the Fujifilm FinePix Real 3D W3 (and its predecessor the Real 3D W1), with a dual-lens/dual-sensor design that produces 3D and 2D still images as well as 3D or 2D HD video. Selling for $100 more than the $400 Fujifilm 3D W3, the 3D1 is a step up from the Fujifilm model (which is just over a year old and ripe for an update). Though it’s slimmer and lighter than the 3D W3, the Panasonic 3D1 sports a similar design, using two 4x zoom lenses with folded optics as well as a sliding front-panel lens cover. I prefer Panasonic’s use of wider-angle zoom lenses (25-100mm equivalent for 2D stills, 30-120mm for 3D stills, and 27-108mm for video).

Both cameras have similarly small sensors (1/2.3-inches, which are typical for compact cameras), but the Panasonic delivers 12.8 megapixel images vs. the Fujifilm’s 10 megapixels. More megapixels on a same-size sensor would typically mean poorer low-light image quality, but Panasonic opted to use “high-sensitivity MOS” sensors, which may mitigate any loss in quality.

Like the Fujifilm, the Panasonic can shoot two 2D images at once, each using a different angle of view with independently controlled zoom functions, and the Panasonic can even shoot 12-megapixel 2D photos and 1080i full-HD 2D videos simultaneously.  It’s also much speedier, with the ability to shoot 8 fps in continuous shooting mode.

The biggest difference between the cameras, though, is the Panasonic’s full touch-screen operation. The screen itself is a 460,000-dot 3.5-inch touch screen (whereas the Fujifilm has a higher-resolution lenticular display) and most of the cameras features are accessed through the touch-screen menus. There are no mode dials or rocker buttons–in fact, save for the shutter button, zoom lever, on/off switch, dedicated video button, and a 2D-3D toggle switch, there are no external controls to speak of. The dual-lens shooting options, for example, put the touch screen to good use, allowing you to touch on the image preview for each lens and control the zoom on each independently and intuitively.

The 3D1 also sports the usual assortment of point-and-shoot features, such as Panasonic’s Intelligent Auto mode, with optical image stabilization, AF tracking, automatic scene selection, face recognition, and automatic/intelligent ISO control and exposure. There’s even an Intelligent Handheld Nightshot feature, that layers multiple consecutively shot images to create brighter night scenery shots.

While you can’t view 3D images on the camera itself, you can view 3D photos and videos on Panasonic Viera 3D TV and Blu-ray Disc players that support the AVCHD format.

The 3D1 will be available in December for $499.99.

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Monday, December 19, 2011

Fujifilm announces FinePix F600EXR compact megazoom with improved GPS and motion detection

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Summary: Fujifilm updates its compact megazoom F Series with better GPS features, motion detection, and a new “intelligent” digital zoom.

At first glance, the Fujifilm FinePix F600EXR announced today looks a lot like the other two compact megazooms in Fujifilm’s F Series, the F500EXR and F550EXR which were announced at this year’s CES. The F600EXR sports the same body design (with a new rubberized coating to improve the grip and reduce fingerprints), and like its predecessors uses a 16-megapixel EXR CMOS sensor, a 15x wide-angle zoom lens (24-360mm equivalent), and a 460,000-dot, 3-inch LCD.

Like the F550EXR, the F600EXR supports raw and raw+JPG modes and includes a built-in GPS sensor, but the F600 ups the ante with a new Landmark Navigator mode that adds an on-camera database of roughly one million points of interest (POI). In addition to overlaying POIs on the screen, the camera can also display your relative position and distance. By pointing your lens down, you can get a 1.5km radar view of landmarks — a nice touch.  Place names are user-editable, and you can perform image searches according to the edited place names as well.

Another new feature in the F600EXR is its built-in motion sensor, which enhances the camera’s new EXR Auto mode with motion detection. This advanced scene recognition mode detects 54 scene types and automatically chooses the optimal settings (e.g., exposure, white balance, sensor mode) to create a blur-free image, even in low light. Using the motion detection technology, the camera can optimize sensitivity and image stabilization settings when it detects a moving object, in order to capture a sharp exposure .

The F600EXR also introduces a new Intelligent Digital Zoom mode, which selectively boosts sharpness in the cropped-in image that the digital zoom produces, theoretically improving the image quality over standard digital zooms.

Other features include:

High-speed auto focus (up to 0.16 seconds)Continuous burst shooting (up to 11fps for 32 frames; 8fps at full resolution)Motion Panorama mode for 360-degree panoramasISO sensitivity up to 12,800Five Film Simulation Modes (special effects filters)Shoots high-speed movies with slow motion playback at up to 320 fpsMini HDMI output1080p video at 30 fps with stereo sound

The FinePix F600EXR will ship in October for $349.95.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Olympus PEN E-PL3 interchangeable lens compact camera to ship in September

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Summary: Olympus announces pricing and availability for the impressive PEN E-PL3, which might just give big brother E-P3 a run for its money.

Though it was announced last month along with two other new cameras in Olympus’ PEN series of interchangeable lens compact (ILC) cameras, the Olympus PEN E-PL3 is just now getting pricing and a ship date.  Olympus announced today that the E-PL3 will hit U.S. store shelves in September and will be priced at $699.99, bundled with either a 14-42mm, f/3.5-5.6 zoom lens or a 17mm f/2.8 prime lens.

The E-PL3 is a successor to the E-PL1 and E-PL2, Olympus’ “PEN Lite” cameras that offer a lower-priced and easier to use interchangeable lens option for users upgrading from point-and-shoot cameras.  Olympus broke new ground with the E-PL1 when it was announced in February of 2010, being the first ILC vendor to offer a lower-end model, and I actually found the E-PL2 more satisfying to shoot with than its higher-end siblings the E-P1 and E-P2, so I’m not so surprised that the E-PL3 is looking like it might be a better deal than the E-P2 and even possibly the recently announced E-P3.

With the E-PL3, Olympus appears to be further differentiating the Lite line from the high-end line in terms of overall design and feature set, while still drawing on many of the strengths of the new E-P3. Most obviously, the more compact body styling moves away from the retro look of its predecessors (and the higher-end line), and looks much more like a point-and-shoot (perhaps taking a page from Sony’s NEX line of ILCs). In fact, the E-PL3 is 25 percent smaller than the E-PL2. It’s also the first of the PEN line to sport a tilting LCD (a 3-inch,

460,000-dot, widescreen beauty) — a great addition. Olympus did sacrifice the built-in flash to keep the body so compact, but bundles an external flash that mounts via the camera’s accessory port. It’s a convenient way to lighten your load if you don’t need it, but it’s kind of ironic since the inclusion of a built-in flash in the original E-PL1 was widely regarded as a reaction to criticism of the E-P1’s lack of one.

Apropos to its role as a more casual and compact shooter, the E-PL3 offers faster burst-mode shooting of up to 5.5fps (compared to 3fps burst-mode in the E-P3 and the E-PL2). Like the E-PL2 before it, the E-PL3 only offers six art filters (Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama, and Dramatic Tone) while the E-P3 adds four others to the mix (Pale & Color, Light Tone, Gentle Sepia, and Cross Process).

Still, the E-PL3 has been upgraded with several specs that are closer to the E-P3’s than the E-PL2. For instance, the faster autofocus system offers 35 focus points like the E-P3 (vs. 11 for the E-PL2), and the sensitivity range has been boosted up to ISO 12,800 like the E-P3 (vs. 6,400 in the E-PL2). Likewise, the E-PL3 matches the E-P3’s 1080i AVCHD video recording capabilities, besting the E-PL2’s 720p AVI Motion JPEG.

Unfortunately, all the high-end features come at a price: The E-PL3 camera kit has been bumped up to $699.99 (whereas the E-PL1 and E-PL2 were both priced at $599.99 when they launched). Still, even at a $100 premium, it’s a pretty compelling camera and I’m not convinced the higher-end E-P3 is a better deal at $899.99.  With the E-PL3 packing such a punch, and being smaller and sporting the tilting screen to boot (though the E-P3’s is a higher-resolution model with touchscreen capabilities), it’s arguably the better camera to snap up.

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Sunday, December 18, 2011

Top five Black Friday digital camera deals (some up to 50% off)

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Summary: Electronics retailers are out in full force touting big Black Friday deals. Check out the best of the digital camera deals here.

With digital camera sales slumping, retailers will be going all out to try to move some product during the post-Thanksgiving shopping frenzy.  Black Friday deals on digital cameras and camcorders have already been announced by a slew of electronics stores, with Best Buy leading the charge with at least 30 cameras and camcorders going on sale at 12:00am, November 25 (and a handful available the day before on BestBuy.com).

Of course, some deals are better than others, so here are my picks for the best digital camera deals so far:

Canon EOS Rebel T3i
This is my current favorite sub-$1000 digital SLR, and since it’s ripe for an update early next year (say, February or March?) camera sellers are likely looking to move their stock this holiday season.  Best Buy has the best Black Friday deals on the T3i, but to get the biggest savings you’ll need to buy the most expensive kit:  The T3i, with two lenses (18-55mm and 55-250mm) will sell for $949.99 with an 8GB SD card, 55mm UV filter, and a bag thrown in. The same configuration is currently selling on Bestbuy.com for $1,079.96, which means you’ll get a healthy savings of about $130 (Amazon currently sells the camera with those lenses for as low as $999, but you don’t get the “freebies” thrown in at that price). Of course, if you don’t want all the accoutrements, Amazon currently has the T3i selling for as low as $764 with just the 18-55mm lens (Best Buy will sell the single lens kit plus the SD card, UV filter, and bag for $799 on Black Friday).

Sony NEX-5
Though it’s been succeeded by newer models (the Sony NEX-7 and NEX-5N), the NEX-5 is still a fine option among interchangeable lens compact (ILC) cameras, with its larger APS-C-sized sensor, sleek magnesium alloy body design, and full 1080i AVCHD video capability. And it’s actually the only ILC I’ve spotted among the Black Friday announcements so far. Best Buy will be offering the NEX-5 with an 18-55mm kit lens for $499.99–that’s a good $150 less than the price at Bestbuy.com (and Amazon for that matter) at this writing. You’ll be able to get the camera with an additional 16mm wide-angle lens as well as an 8GB SD card and a bag for $629.99, which is still less than the pre-sale price of the single-lens kit (sans SD card and bag).

Canon PowerShot SX230 HS
This compact megazoom is the camera I recently recommended to my brother as an all-purpose point-and-shoot. I don’t mind toting around a slightly bulkier (though still pocketable) camera in exchange for the versatility of a 14x zoom lens, and the built-in GPS technology makes it easy to geotag your images. Staples is currently offering the biggest savings on the SX230, with a Black Friday price of $249.99 ($30 less than the current Staples price and more than $20 less than you can get it at Amazon or Best Buy). If you’re a BJ’s Wholesale club member, you can also snap it up there for $249.99 and get a bonus 8GB SD card gratis (non-members have to pay a surcharge to buy at BJs.com).

Nikon Coolpix S8100
To get even bigger savings on a compact megazoom, you can opt for the older Nikon Coolpix S8100. It doesn’t have all the bells and whistles of the Canon SX230 (and the 10x zoom lens isn’t as wide nor as long), but it’s still a good camera at much bigger discount.  Best Buy will be selling it for $149.99, which is a whopping half off the current selling price and a good $95 less than the lowest current price on Amazon. Best Buy will also sell the camera bundled with a battery, 8GB SD card, and case for $179.96, which it claims is a $217 savings.

Sony Cyber-shot DSC-W570
For those on a tighter budget, this ultracompact shooter has been one of my go-to recommendations. It’s  simple to operate, super slim, and it’s been selling for under $180 since it was released in February. Current pricing at Best Buy and Amazon is as low as $125, but you can snap it up at Best Buy for just $99.99 on Black Friday. And for another $20 they’ll throw in a 4GB SD card and a case.

For a rolling list of available deals at over 25 retailers (on more than 12 categories of consumer electronics and tech gear including cameras), don’t miss ZDNet’s Ultimate Black Friday 2011 Guide.

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ESA builds billion-pixel digital camera to map the Milky Way

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Summary: The European Space Agency plans to map a billion stars by launching the “largest digital camera ever built for a space mission” into space.

In order to meet its ambitious mission of mapping a billion stars in the Milky Way galaxy by 2013, the European Space Agency (ESA) has assembled what it describes as “the largest digital camera ever built for a space mission.” Comprised of 106 CCDs that are 4,500×1,966-pixels each, the CCD array is the centerpiece of the ESA’s Gaia project, whose goal is to create the largest, most precise 3D map of our galaxy. By launching a spacecraft containing the CCD array into a specific orbit that minimizes obstructions (by the Sun and Earth) in the camera’s fields of view, Gaia plans to monitor each of the stars in its census about 70 times during a five-year span, charting positions, distances, movements and changes in brightness.

So why the disclaimer of “for a space mission” tacked onto “the largest digital camera ever built” phrase? Possibly because the University of Hawaii’s Institute for Astronomy already has a bigger digital camera working in its Panoramic Survey Telescope & Rapid Response System (Pan-STARRS) project. The Pan-STARRS camera (one of four to be mounted on high-powered telescopes) is made up of a 64×64 array of 600×600-pixel CCDs, which delivers 1.4 billion pixels (or 1.4 gigapixels).

Of course, if you want to snap your own gigapixel images, you could always get yourself one of these.

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Saturday, December 17, 2011

Pentax celebrates Camera Grand Prix award with a limited edition 645D

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Summary: To celebrate winning Japan’s Camera Grand Prix 2011 Camera of the Year award with the Pentax 645D, recent Ricoh acquisition Pentax Imaging has announced a limited edition version of the medium-format digital SLR camera. This fancy-pants version of the high-end 645D sports a dark red lacquer-finish body and comes with a matching leather strap (with [...]

To celebrate winning Japan’s Camera Grand Prix 2011 Camera of the Year award with the Pentax 645D, recent Ricoh acquisition Pentax Imaging has announced a limited edition version of the medium-format digital SLR camera. This fancy-pants version of the high-end 645D sports a dark red lacquer-finish body and comes with a matching leather strap (with “Camera GP 2011 Camera of the Year” stamped on it unfortunately) and is packaged in a paulownia wood box.

Released last year after years of rumors and hype, the 40-megapixel 645D (which sports a 44×33mm CCD sensor) lived up to the ballyhoo, gaining favorable reviews and coming out at a relatively reasonable price of $10,000 — bringing it withing shooting distance of top-of-the-line professional 35mm dSLRs like the Nikon D3X and Canon 1DS Mark III.

Pricing has yet not been set for the limited edition 645D (presumably it will be somewhere north of $10K), but since production of the special model will be on a build-to-order basis, there will be a minimum four-month delivery period from the order date. It isn’t on the site yet, but when it comes available, you’ll be able to order the camera direct from the Pentax web store.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Polaroid releases first Lady Gaga co-design: Grey Label GL-10 Instant Mobile Printer

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Summary: Polaroid announces Grey Label GL10 instant mobile printer is now available for purchase at Bloomingdales in New York City.

Though the naming of pop star Lady Gaga as creative director of Polaroid in early 2010 was met with some skepticism, by CES 2011, Gaga and company were ready to announce the fruits of their collaboration: the Grey Label line of products co-designed by Polaroid and Lady Gaga herself, including the GL30 “instant” digital camera, the GL20 camera sunglasses, and the GL10 instant mobile photo printer.

Just over four months later, the company has announced that the first of these products began selling today at Bloomingdale’s flagship store on the Upper East Side of Manhattan. With a suggested retail price of $169.99, the Bluetooth-enabled printer uses Polaroid’s Zink print technology (like the company’s PoGo printer and camera line) to instantly print photos sent from cell phones or other Bluetooth-compatible devices. Relatively portable at just 15 ounces, the GL10 can print 3×5-inch full-bleed snapshots, or a photo with a white “Polaroid Classic Border.” The Zink GL10 photo paper is a bit larger than the PoGo’s 2×3-inch peel-and-stick paper, but is similarly steep in price at $19.99 for 30 sheets (PoGo paper sells for $12.99 per 30-sheet pack).

Though initially available at only the flagship Bloomingdale’s location, the product will roll out to other select locations nationwide in late June. Pre-orders for the GL10 are being taken on Polaroid.com now and will be available on hsn.com tomorrow (with the product beginning to ship June 17), and Costco.com will begin selling the printer on June 20.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Friday, December 16, 2011

PMA 2011 trade show cancelled and incorporated into to CES

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Summary: PMA announces cancellation of its fall tradeshow and “colocation” at CES 2012.

So it looks like reports of the PMA trade show’s demise were not greatly exaggerated after all. Once among the photo industry’s biggest trade shows, in recent years PMA has seen a dramatic decrease in attendance as exhibitors and attendees alike began to favor CES, which traditionally took place shortly before PMA at the beginning of the year.

After attempts to revive the show by changing locations, moving it to the fall and opening it to the public, and even re-branding the show as CliQ 2011, the Photo Marketing Association has finally given up the ghost.  The organization announced yesterday that rather than holding its own trade show in September of this year as planned, it will now “colocate” at the 2012 International CES show scheduled for January 10-13 in Las Vegas.  Makes sense, seeing as there were no fewer than 62 new digital cameras announced at CES 2011 this past January, where camera vendors like Canon (which skipped out on PMA altogether in 2010) rolled out their spring lines.

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Best Halloween Costume Ever: Nikon D3 suit that really works!

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Janice Chen is an editorial consultant and has been covering technology for over two decades. Serving as editor in chief at CNET and Computer Shopper magazine for many years, she oversaw product coverage for the CNET and ZDNet websites. She has appeared on most of the major morning TV news programs and was featured weekly on CNN Headline News' Hotwired segment recommending personal tech ranging from digital cameras to notebook PCs. Prior to that, she appeared with Anderson Cooper on a monthly technology segment for ABC World News This Morning. Quoted in numerous publications such as the New York Times, USA Today, and People magazine, Janice has also evaluated tech products for BusinessWeek, USA Weekend magazine, and Parenting magazine among others.

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since. A graduate of Cornell University, she resides in Maplewood, NJ, with her husband (a professional photographer who shot his last roll of film in 2003) and their two daughters.


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Thursday, December 15, 2011

Panasonic's new Lumix DMC-FH7 updates the FH5 with a 3-inch touchscreen

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Summary: Panasonic announces the DMC-FH7, an minor update to its FH5 ultracompact point-and-shoot.

Though it was mostly overshadowed by Thursday’s announcement of the Panasonic Lumix DMC-G3 interchangeable lens compact camera, the company also announced a new ultracompact point-and-shoot, the Lumix DMC-FH7. Though the FH7 is a smidge larger and heavier than its predecessor, the DMC-FH5 (which was only announced four months ago), it’s got a somewhat sleeker design, with softer, more rounded edges and a lens barrel colored to match the body (which comes in black, gold, or pink).

Specs wise, the FH7 is nearly identical to the FH5, with the addition of a new 3-inch touchscreen LCD. Highlights include:

16-megapixel CCD sensor4x optical zoom lens (28-112 mm equivalent, f/3.1-6.5)HD video recording (1,280×720, 24 fps)3.0-inch, 230,000-dot touchscreen LCDOptical image stabilization (shake detection)Face detection with digital red-eye removalMotion detection with auto ISO controlScene detection with auto scene mode selection

As is typical for Panasonic (with some exceptions), pricing and availability were not announced along with the product, but with the FH5 currently priced at $149.99, it’s likely to be just incrementally higher than that.

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Tiny Olympus PEN E-PM1 interchangeable lens compact will sell for under $500

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Summary: Olympus announces pricing, availability, and detailed specs for its most compact — and lowest priced — interchangeable lens compact camera.

Olympus has finally announced pricing and availability (and revealed more detailed specs) for its tiny Olympus PEN E-PM1, originally announced last month along with two other new cameras in Olympus’ PEN series of interchangeable lens compact (ILC) cameras, the PEN E-P3 and PEN E-PL3. The E-PM1 will start shipping in September (like its midrange sibling, the E-PL3) and will be priced at just $499.99 with a 14-42mm (f/3.5-f/5.6) zoom lens.

Dubbed the PEN Mini — to distinguish it from the PEN Lite cameras (i.e., the E-PL3 and its predecessors) — the E-PM1 is by far the smallest and lightest of the PEN cameras, at just 4.3×2.5×1.3 inches and 9.34 ounces with battery and SD card installed.  The Pentax Q is the only ILC camera that’s even smaller, but the Q is saddled with a tiny compact-camera sized sensor (vs. the E-PM1’s dSLR-sized sensor), not to mention a much larger price tag at $800.  In fact, the E-PM1 is the least expensive of the Olympus PEN cameras (though the two-generations-old E-PL1 is also still listed on the Olympus site for the same price).

Its also about $100 less than the similarly sized Panasonic Lumix DMC-GF3 announced earlier this summer. The E-PM1 looks even more like a compact point-and-shoot than the GF3, but out-specs the GF3 in a few areas, such as a broader sensitivity range (ISO 200-12,800), more white-balance presets, faster burst-mode shooting of 4.1fps (or 5.5 fps with image stabilization turned off), and a 35-area autofocus system.

Though I personally prefer shooting with slightly larger ILC cameras like the PEN Lite line (I just find the larger lenses to be kind of awkward on tiny bodies), size aside, the E-PM1 inherits a lot of the E-PL3’s excellent features at a lower price and a more simplified interface (catering toward point-and-shooters who are looking to upgrade). The E-PM1 takes great advantage of Olympus’ Live Guide, for example, which helps newbies get SLR-like control over images without having to understand things like white balance, aperture, or shutter speed. And it comes with the same six special effects filters (Pop Art, Soft Focus, Grainy Film, Pin Hole, Diorama, and Dramatic Tone) as the E-PL3, though it doesn’t offer the new variations on the various effects as the E-PL3 and E-P3 do.

Other key features and options include:

External optional flash included (hotshoe mount)1080i AVCHD video recordingDedicated video recording buttonFace detection with eye detection autofocusBuilt-in autofocus illuminator3D shooting modePurple, pink, brown, white, silver, and black body color options

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Wednesday, December 14, 2011

Sony announces high-end NEX-7 interchangeable lens compact camera

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Summary: Sony finally announces the well-leaked NEX-7, its high-end interchangeable compact lens camera, along with the lower-end NEX-5N.

Though it wasn’t exactly a surprise, having been long anticipated and extensively leaked, yesterday’s announcement of Sony’s high-end interchangeable lens compact (ILC) camera, the Sony Alpha NEX-7, got slammed by the Steve Jobs resignation news tsunami (along with lower-end sibling NEX-5N and Sony’s two new dSLRs, the SLT-A77 and SLT-A65). Nevertheless, the NEX-7 has been doing gangbusters, besting all the other new Sonys in pre-orders at Amazon. At this writing, it’s already crept up to Number 3 on Amazon’s dSLR bestseller list (though someone needs to tell Amazon it’s not a dSLR).

When Sony entered the ILC camera market last spring, a good year or more after Panasonic and Olympus had already introduced their first models (the Panasonic Lumix DMC-G1 and the Olympus E-P1, respectively), it smartly targeted the aspiring point-and-shooter with consumer-friendly features and pricing, rather than targeting high-end dSLR shooters like Panasonic and Olympus did out of the gate. (Sony’s Alpha NEX-5 and NEX-3 were competitors to the lower-end Olympus E-PL1 and Panasonic Lumix DMC-G10, rather than the top-of-the-line G1 and E-P1.)

With the NEX-7, though, Sony is finally pulling out the big guns and has the Olympus PEN E-P3 (or the Panasonic Lumix DMC-GH2’s future successor) in its sites, potentially out-shooting them with its big APS-C size sensor among other top-notch components and features.

Developed for enthusiasts, the NEX-7 sports a 24.3-megapixel sensor (the same Sony Exmor HD CMOS used in the new A77 dSLR), and introduces a unique navigation system aimed at enthusiasts who demand very direct control (read: those who shun menu-driven feature access) and very granular control of the camera, but still want a compact body. To accomplish this, the NEX-7 uses three user-customizable control wheels (vs. the two you typically see in dSLRs). Two dials are on top of the camera, and a third wheel is on the back. By pressing a button on the front of the camera (next to the shutter release), you can cycle through different groups of parameters, giving very precise and granular access to various menu options via the three dials.

Another key feature is the new XGA OLED electronic viewfinder, also inherited from its dSLR cousins, which may just be a game-changer, providing users an eye-level viewfinder in a super compact package.  Of course, there’s also a fully articulating and tiltable 3-inch, 921,600-dot LCD. Other standout features include:

20-millisecond release lagISO sensitivity range 100-16000,Flash/accessory hot shoe, wireless control, and built-in flashUser-selectable lens compensation for chromatic aberration, distortion, and vignettingFull AVCHD progressive video recordingHigh-speed shooting of up to 10fps at 24 megapixelsObject tracking AFFace recognitionLevel gaugeMic input jack

The Sony Alpha NEX-7 will ship in November for $1,200 body-only, or $1,350 with an 18-55mm kit lens.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Images rumored to be Sony Nex C-3 leaked

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Summary: Sony discontinued the Alpha Nex-3 interchangeable lens camera in February, but we might have a successor on the way very soon.

Sony discontinued the Alpha Nex-3 interchangeable lens camera in February, but we might have a successor on the way very soon.

The Sony Alpha Rumors blog has nabbed some leaked promo images, which look very convincing and could really reveal the look of the new Nex-C3 camera with an external flash. It supposedly sports the same 16.2-megapixel Exmor APS HD CMOS sensor as the Alpha A55 digital SLR, which is quite the step up for this kind of model. The Nex-C3 should also be ready to record HD video.

Pricing and availability haven’t been around yet, but expect it to fall under the still-available, higher-end Nex-5, which starts at $599.99. That announcement could be a ways off yet as production has reportedly been delayed to the disaster in Japan in March.

[Image via Sony Alpha Rumors]

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Rachel King is a staff writer for ZDNet based in San Francisco.


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Tuesday, December 13, 2011

Toshiba unleashes waterproof Camileo BW10 HD camcorder

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Summary: April showers are in full effect in some parts of the nation, but it’s not too early to start thinking about summer. Toshiba already is with the introduction of the waterproof Camileo BW10 HD camcorder.

April showers are in full effect in some parts of the nation, but it’s not too early to start thinking about summer. Toshiba already is with the introduction of the waterproof Camileo BW10 HD camcorder.

Fitted with a rubberized coating for depths of up to six and a half feet underwater, the Camileo BW10 is ready to record full HD 1080p video with 10x digital zoom and shoot 5-megapixel stills.

Once you’re on dry land again, movies can be uploaded to YouTube using the included software or transferred to an HDTV via HDMI. (Note, however, that the mini HDMI cable is not included in the box.) Additionally, it should be an easy travel companion being that the BW10 weighs only 3.5 ounces.

Available with silver or bright yellow exteriors, the Camileo BW10 is available immediately for $149.99.

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Rachel King is a staff writer for ZDNet based in San Francisco.


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Kodak gives cash for your old digital cameras, accessories, and other electronics

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Summary: Kodak announces a new trade-in and recycling program for photo-related consumer electronics.

Surprisingly full-featured digital cameras regularly sell for $149 or less these days, so it’s quite likely that many households have what I have: a drawer full of obsolete digital cameras and accessories. I have a tendency to hoard anything with a battery or LCD because I think I can pass it along to someone who could use it, but the gadgets in my drawer graveyard have gotten so long in the tooth that even my least tech-savvy relations turn their noses up at them (though not my father-in-law, who is is even more gravely afflicted and has whole roomful of expired electronics).

With ever more alarming news about the dangers of improperly disposed of electronic waste, though, it’s getting harder to figure out what to do with those old cameras nobody wants. To help make things easier, many vendors have launched programs that let you recycle their old products for free or for a nominal fee.

Kodak’s recently announced Trade-in and Recycling Program, however, does even better: Not only does the program accept non-Kodak products (including digital cameras and camcorders, printers, digital photo frames, and other accessories such as lenses and flashes), but it actually gives you cash in return. Just go to the Kodak Trade-In Center, register with your name, email, and phone number, and you can get an instant quote by entering the brand, model, and condition of your gear.

For instance, I entered a Canon PowerShot SD880 IS in excellent condition and got a quote of $26.64.  That’s almost $9 more than what I was quoted at Gazelle.com, a Boston-based electronics trade-in service (for an SD880 IS with “no noticeable flaws, it looks like it has never been used” and all original accessories and software included).  I tried a few more camera models and found quotes from both sites to be similar, with Kodak offering a bit more on the whole, though Gazelle lets you get more specific about the condition of your camera.

Oh, and if you try to recycle that same PowerShot directly with Canon?  Not only do you not get cash for it, but the company also hits you up for a $6 recycling fee.

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Monday, December 12, 2011

Back to School 2011: Top digital cameras for kids under $110

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Summary: With so many age- and budget-appropriate digital cameras for kids available, you don’t have to give your child a hand-me-down camera. Here’s a list of great options for kids of all ages, from preschoolers to college-bound teens.

It’s that time of year again: the kiddies are gearing up to head back to school. While you’re out shopping for school supplies, you may want to think about outfitting the backpack with a kid-friendly digital camera. Sure, you could play the hand-me-down game with your old camera, but with so many affordable cameras designed for kids, you can easily find something better suited for a young person’s needs. Whether your child is bound for preschool or for college, you can find an age- and budget-appropriate option on the market today. Here is a shortlist to help you get started, arranged by grade, all selling for under $110:

Preschool: Gummy Bears Digital Camera
These days, there are a ton of low-cost kids digital cameras on the market, most of which are cheap in build quality and won’t hold up long to the physical abuse that a preschooler will inevitably visit upon them. The Gummy Bears Digital Camera, built by Vivitar and sold by Sakar International (which acquired Vivitar in 2008), isn’t exactly high-end in build either, but the rubbery gummy bear-ish material that encases the camera seems like it can take more of a licking (no pun intended) than the typical cheapy cameras. It sells at Kmart for just $25, so you shouldn’t expect much more than a bare-bones camera, but given its low cost, I was happy to see both an optical viewfinder and a color LCD (albeit a tiny 1.1-inch one) as well as video-recording capabilities. The 1.3 megapixel sensor won’t deliver much more than a low-end cameraphone terms of image quality, but preschoolers will still be delighted. As an added bonus, the camera can double as a webcam (on both Windows PCs and Macs) and the included Snap n’ Share software makes uploading photos and videos to Facebook, Twitter, and YouTube a snap (not that your toddler is going to be doing that, but the feature may come in handy if you want to share some of their classic shots with your FB crew). The camera comes with 8MB of built-in memory (no options for expansion) which should hold between 15 to 276 shots, depending on the resolution and compression rate you choose. It takes two AAA batteries, but be forewarned, if you don’t download your photos and videos (with the included USB cable) before you remove the batteries, you’ll lose them all.

If you have a slightly bigger budget, my favorite preschooler’s camera is still the Vtech Kidizoom Plus, which costs just over twice what the Gummy Bears camera does. But if you’re looking for a lower-cost option, the Gummy Bears camera is a basic but solid choice.

Grade school: LeapPad Explorer with camera
Though it costs a bit more than your average kids camera, my favorite option for grade schoolers is actually the LeapPad Explorer, a new kids tablet device from the folks that brought us the popular Leapster Explorer educational gaming device. The LeapPad includes a built-in, rear-facing camera that lets you snap both stills and videos and takes advantage of the tablet’s 5-inch touchscreen to frame and view photos. Though the actual camera viewing area is closer to 3.5-inches (after you take into account the onscreen shutter, self-timer, and back buttons, and memory usage gauge), that still blows away viewfinders on any other kids camera selling for under $100.

Using the aforementioned self-timer, kids can take self-portraits (and video) getting a five second count-down to allow time to turn the LeapPad around so that they’re facing the camera. Clear verbal instructions are provided and the device prompts you with suggestions if you don’t take any action, making it easy for kids to figure out how to shoot without having to read any instructions. Kids can even use the self-portrait capability to personalize the LeapPad by taking a photo and saving it to their profile. The tablet also comes with camera-ready apps preinstalled, including a Photo Lab that offers a slew of fun editing tools and the option to “ask your parent” to connect to a computer and share results with friends and family.

Of course, the LeapPad Explorer is so much more — it’s a gaming device, e-book reader, and educational tool too — but for a list price of $99, it’s also the best kids (ages 4 to 9) camera and camcorder for the money.

Middle school: Superheadz Clap camera
Middle schoolers will like the gee-whiz factor of this little gizmo. Taking a page from the Flip camcorder school of minimalism, the (unfortunately named) Superheadz Clap is simplicity itself: a super tiny camera that’s not much bigger than a USB thumb drive (1.4× 2.75×0.6 inches) and less than an ounce in weight. There are hardly any buttons on it (just power and shutter) and a cap pops off to reveal a built-in USB connector, which allows you to plug the camera into your USB port for easy downloading. Note that you’ll also need to purchase a MicroSD memory card to use the camera, which shoots not only 2-megapixel stills, but also 720×480/30fps video. The camera is strictly about fun, though–there isn’t even a viewfinder to frame your shots–but like any toy camera, if you shoot enough photos, you’ll surely come up with some winners.  The Clap comes in six great colors and is available on Amazon.com for $49.

High school: DXG-018 3D Camera & Viewer
My pick for high-school kids is another inexpensive but fun camera, the DXG-018 3D Camera. Unlike most cameras offering 3D shooting these days (which take two shots in burst mode and the use in-camera image processing to create a 3D image), the DXG 3D camera actually includes two lenses and two sensors. Of course for $70, don’t expect something on the level of the Fujifilm FinePix Real 3D W3. Each 0.3-megapixel CMOS sensor in the DXG camera is just 1/9 of an inch (tinier than your average budget point-and-shoot), so image quality isn’t going to be anything to write home about. And the LCD is similarly tiny at just 1.44 inches. As with the Clap, you’ll have to add a memory card yourself (SD this time). There aren’t many settings that you can adjust, so the camera is super-simple to operate, though obviously limited in functionality.

The camera comes bundled with three cardboard 3D viewers, and you can print images out on standard 4×6 photo paper and they’ll be properly formatted for viewing, with dotted lines for you to cut along to trim the photo to fit the viewer. Nice and compact, the DXG-018 runs on two AAA batteries, and comes in five bright colors.

College: Canon PowerShot A1200
Unless your student is studying photography (in which case, you’ll want to get a digital SLR, or some other interchangeable lens camera), a compact point-and-shoot is a great option for the social beings that incoming freshmen inevitably become. If your coffers are drained after signing the tuition check, though, you can still send your college-bound student off with a decent camera. The Canon PowerShot A1200 is a solid budget offering that will only set you back $109, but delivers surprisingly good image quality and as well as an impressive range of features for such a low price (e.g., as 720p HD video recording and in-camera special effects filters, like fish-eye, sepia, posterize, etc).  The A1200 is also easy to use, so your student can stick to poring over textbooks rather than camera manuals. And because it uses standard AA batteries, college kids can grab it and go without having to remember to charge up.

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Hands-on review: Kodak Playfull HD mini-camcorder

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Summary: Earlier this year, Kodak introduced the very petite and sleek Playfull HD video camera at CES 2011. Now that the mini-camcorder is ready to ship, here’s the hands-on review.

Earlier this year, Kodak introduced the very petite and sleek Playfull HD video camera at CES 2011. Now that the mini-camcorder is ready to ship, here’s the hands-on review.

SET-UP

Setting up the Playfull is as simple as shooting video - meaning it only requires a couple of steps and clicks. After inserting the fully-charged, included battery, the settings menu popped up for configuring the date and time.

However, just like with the Kodak EasyShare Mini, there was no SD card to be seen in the box, so hopefully you have an SD/SDHC card lying around. You’ll also want one with over at least 2GB of space, but it supports up to 32GB, which would guarantee up to 10 hours of video.

Once that has been installed, it’s time to get started. Navigation is simple and limited to four sections that are accessible by clicking directly on the icons around the center button. That round center button is then used to start and stop recording. The Playfull is really so simple that you don’t even really need a guidebook to get started. (But if you like taking a look at the manual anyway, don’t worry. One is included.)

Rachel King is a staff writer for ZDNet based in San Francisco.


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Sunday, December 11, 2011

Leica i9 concept design: An iPhone in Leica's clothing?

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Summary: A concept design combining an iPhone 4 with a Leica camera has gadget freaks drooling, but is it really all that?

Is it me, or am I the only one who doesn’t think Black Design Associates’ new Leica i9 concept design is the best idea since sliced bread? Sure, I suppose it would be quite the novelty to be able to pop your iPhone 4 into a case and miraculously turn it into a net-connected, high-end Leica camera (with a touchscreen to boot).  Back here in reality, though, it’s highly unlikely for a unit as compact as the concept design would have to be (to accommodate the iPhone) to achieve image quality that would justify the estimated $900 to $1,200 price tag if the camera were to go into production.

I mean, seriously, if you’re prepared to drop that kind of coin, you’re going to be looking for image quality along the lines of a Leica X1 or M9 (or Fujifilm FinePix X100 for that matter) which have SLR-sized sensors and therefore superior image quality. If you’re fine with the tiny sensors typically found in compact cameras, you’d be better off buying a Canon PowerShot S95 or G12, Panasonic Lumix DMC-LX5, or even a Leica D-Lux 5 (if you must have that red logo) and adding on an Eye-Fi wireless SD card for less than $80. And if Black DA has really come up with some miraculous way of cramming a big sensor into a super-slim package, the company would be better off building it into a real camera, not an iPhone accessory.

Seems like it is just me, though, if you read the glowing reports from around the interwebs:

“Really, this is one of the best concepts I’ve clapped eyes on…”

“There’s no sign that the i9 will even reach the prototype phase, but nobody is going to stop the high-end camera’s designer from dreaming — especially when said dreams make us weak at the knees.”

“We think it’s an amazing idea and would love to see these put into production.”

“Black Design Associates combined the connectivity and usability of the iPhone 4 with the timeless design and quality of the Leica M9 to create an affordable high quality and high tech camera.”

Call me a skeptic, but I can’t believe how many folks are so taken with the idea — and not a single snarky comment about how the company’s “Compliment without Compromise” tagline (plastered all over the concept site and press release) should have read “complement” not “compliment.” Well, until now, I guess.

What do you think? Is this a concept worth pursuing, or is it just an over-grown iPhone case trying to trade on looks and branding (and in need of a copyeditor)? Comment in the TalkBack section and let me know.

For more information, read the press release »

Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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Pentax Q: Smallest compact interchangeable lens camera sports biggest price tag

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Summary: Pentax’s new interchangeable lens camera will impress those looking for the most pocketable model, but image quality may not be worth the price of admission.

Last week, Pentax jumped into the compact interchangeable lens camera fray with the announcement of the Pentax Q. Roughly the size of a Canon PowerShot S95 (without a retractable lens) and not much heavier, it’s currently the smallest mirrorless interchangeable lens camera on the market, though it sports the biggest price tag at $800 (with a 47mm equivalent f/1.9 standard prime kit lens). It seems you’ll be paying the premium for the diminutive size and retro-cool styling, rather than top-notch image quality, though.

The biggest sacrifice Pentax made to shrink the size of the camera was to use a tiny 1/2.3-inch image sensor (smaller sensor = poorer image quality). To get an idea of how small that is, check out this sensor-size comparison and note that competing interchangeable lens cameras from Olympus and Panasonic use the Four Thirds System size sensors (in red) while those from Sony use even larger APS-C size sensors (in greenish yellow). The Q’s little 1/2.3-inch sensor would fall somewhere between the 1/2.5 and 1/1.8 inch sensors, which are typically found in compact point-and-shoots rather than higher-end cameras. In fact, the Q’s sensor is even smaller than the $400 Canon S95’s, though to mitigate the issue, Pentax chose to use a backside illuminated CMOS sensor which should improve performance in low-light. Still, the Q’s 12.4 megapixel sensor seems better suited for a compact point and shoot and is likely comparable to the similar sensor in the Nikon Coolpix P300, a high-end point-and-shoot which, like the S95, is priced significantly lower than the Pentax Q ($330).

With all that in mind, I really can’t figure out what Pentax was thinking setting the Q’s price at $800. With image quality poised to compete with the high-end compact set (which aren’t slouches, but can’t compete with their bigger-sensor brethren), pricing the camera higher than the rest of the interchangeable lens compacts doesn’t make sense to me. Even the recently announced Panasonic Lumix DMC-GF3 with its much larger sensor will sell for $100 less (at $700 bundled with a 28mm equivalent f/2.5 lens), and the Sony Alpha NEX-C3, which boasts a APS-C-sized backside illuminated CMOS sensor sells for just $600 (bundled with a 24mm equivalent f/2.8 lens).

So what does the price premium buy you?  It’s certainly small (though I personally prefer a little more heft on interchangeable lens cameras, especially when shooting with longer zoom lenses). It shoots 1080p HD video at 30 fps (as does the Panasonic GF3, but not the Sony NEX-C3). A well extended pop-up flash gets the light further from the lens than most similar units. And I do like the look of the camera a lot. Pentax has arguably done one better than Olympus at recreating the nostalgic retro rangefinder camera look. The cool Quick Dial on the front (labeled with a simple 1, 2, 3, and 4) looks so … analog. (The Quick Dial is even useful: you can assign it to access the various creative modes, special effects, or other camera settings, so you don’t have to wade through a menu system to get to your favorite settings.) But if you’re into paying a premium for retro, the Fujifilm X100 is even cooler looking and the $1,200 price tag will buy you better image quality with its SLR-sized sensor and a hybrid optical/electronic viewfinder to boot (the Q’s optional shoe-mounted viewfinder will set you back another $250, though the Panasonic GF3 and Sony NEX-C3 don’t even offer one).

Ah, but the Pentax Q gives you interchangeable lenses you say. Well, sure, but two of the four jointly announced lenses are cheap “toy” lenses (the 35mm equivalent Pentax 04 Toy Lens Wide and the 100mm equivalent Pentax 05 Toy Lens Telephoto, which will sell for $80 each) and the $130 Pentax 03 Fish-Eye lens might as well be a toy. There is also a 27.5-83.0mm equivalent, f/2.8-4.5 standard zoom lens that will set you back a whopping $300. And that’s it as far as lenses go, since there’s currently no adapter available to allow the use of any other lenses.

In the end, I think Pentax does have a target market pegged: Folks who want to look cool, shoot fun images (quality be damned) and for whom price isn’t so much of an issue.

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Janice got her hands on a Nikon Coolpix 900 back in 1998 and has been a digital camera enthusiast ever since.


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